The Woodcutter - Kate Danley

I'm not sure what I was expecting when I picked up The Woodcutter:  a new kind of fairy tale, maybe; or maybe something more lyrical, similar to the work of Patricia McKillip or Robin McKinley.  What I got was something else entirely -- a sort of private-eye noir tale, set in the world of make-believe.

The Woodcutter of the title is the main character.  He is an enchanted being who is sort of the one-man detective force of fairyland.  If bad stuff happens, he's called in -- and he must leave his mortal wife for however long it takes to solve the case.  As the book opens, he hasn't been called into service for many years.  But now a young woman is found dead in the forest, and a glass slipper nearby is a giveaway to her identity. 

To help the Woodcutter find her killer, the River God gives him three magical axes, but he must complete the God's challenge in order to receive them.  If he cannot solve the case before he has used up all the axes, he is doomed never to solve it.  Eventually, he uncovers a surprisingly brisk trade in pixie dust (and the heartbreaking way it's being harvested), and it becomes clear that a power-mad faerie queen is at the heart of the trouble.  What will put everything right at last?  Oh, please; if you've seen "Sleeping Beauty," you know the answer.

I looked over some of this book's reviews at Goodreads to refresh my memory before starting this post.  Some of the critics didn't like the way Danley pulled so many fairy tales into the story.  Having a history of creating mythological mashups myself, I wasn't bothered by that.  No, what bothered me about the book was the voice.  A book peopled with fairy tale characters requires a bit of whimsy, I think, but there was nothing whimsical in Danley's just-the-facts-ma'am narration.  It seemed a little cold and off-putting for the setting.

Also, the scene with the River God wasn't set up at all.  Typically in fairy tales, either the main character makes some sort of statement about why he's pursuing X, or another character advises him that he needs X in order to accomplish Y.  Here, it became clear eventually that the Woodcutter needed the River God for something, but I had no idea what it was until after he obtained the axes.  A little bit of explanation up front would have helped me enjoy the scene more.

One other thing: The chapters were exceedingly short.  Chapter length is certainly the author's prerogative, but many of these chapters felt like scenes that could have been combined into a longer chapter.  A chapter break interrupts the narrative flow, and I found that to be a bit of a problem here.

As a mystery, The Woodcutter was somewhat entertaining.  Just don't expect a fairy tale.

Fezariu's Epiphany - David M. Brown

I guess that since I reviewed a book by one-half of the Tweedlers last week, I ought to review one by the other half.

If I gave stars for these reviews, I would give David Brown five stars out of five for world-building without a second thought.  He has spent more than ten years creating and embellishing the history of Elenchera, the fantasy world where his "Elencheran Chronicles" are set, and it shows.  Brown's land is rich with detail and robust with a sense of its own history.

In this book, we follow a man named Fezariu from a happy childhood, through the death of his mother, to his career in the Merelax Mercenaries.  A mission with the mercenaries brings him to his mother's hometown, where he discovers that she didn't die, after all.  Fezariu then must decide whether to take revenge on the man who stole his mother, and his childhood, from him.

The plot is interesting, the world-building is awesome...but.  You know by now, if you've read my other reviews, that I have a problem with third person omniscient point of view. I call it the "little did they know..." point of view, because it can tempt the author into telling more than showing.  Here's one example:  In my opinion, the book would have been stronger if the reader had learned of Fezariu's mother's past as Fezariu himself learned of it.  The way the novel is currently structured, by the time Fezariu gets to the brothel, the reader is not consumed with a desire to find out what happens next; instead, the reader is dreading Fezariu's reaction when he finds out where, and what, his mother has been all this time.  Plus we are robbed of the sense of discovery, of putting two-and-two together and getting that "aha!" moment that's part of the pleasure of reading.

Another problem with third person omniscient in epic fantasy is that the author can be tempted to throw in more details about the world than are strictly necessary to the story.  I saw some of that in this book.  Of course, third person limited can go the other way and not give the reader quite enough information to find his or her feet (*cough*Malazan*cough*).  But a good editor can help an author find the sweet spot between those two extremes.

I also think a capable editor could strengthen the narrative in Fezariu's Epiphany.  Probably one-third to one-half of the adjectives and adverbs could be cut, and stronger verbs used in their place.  But that might be a matter of taste.  You know me -- I loves me some action verbs.

To sum up, Fezariu's Epiphany is a first book that shows promise, but needs some work.  And I'm looking forward to returning to Elenchera in Brown's second book, A World Apart.

Double-Take Tales - Donna Brown

Donna Brown, for those of you who don't know it, is a champion of indie authors.  I got involved in the winter of 2011-2012 with her brainchild, which was then known as Adopt an Indie. Later, AAI morphed into The Indie Exchange, a website and blog featuring tips and advice for both indie authors and the book bloggers who unselfishly promote their work.

But even if you're aware of all that, you may not know that Donna dabbles in writing herself.  Double-take Tales is a collection of three short stories, each just long enough to read on the bus on the way to work, and each with a twist at the end that I, at least, didn't see coming.

My favorite of the three is probably the first one, "Round Trip," which follows the route of a five-pound note (Donna's British, okay?).  The other two stories are called "Poison," in which a woman realizes her husband's nut allergy could be the answer to her prayers; and "C'est la Vie," in which a murderer thinks she's gotten away with the perfect crime.  I wasn't wholly satisfied with the ending of "C'est la Vie," but I won't tell you why because it would give it all away.  And that would, of course, defeat the purpose of the book.

Double-Take Tales is a very short read -- just 16 pages on my Nook -- and I'd say it's worth its 99-cent price tag.

Benediction - Kent Haruf

(I originally posted this review at BarnesandNoble.com.)

Kent Haruf is one of my favorite authors.  His spare prose is perfect for the plain, small-town folks who people his novels, and their stories are compelling for all their simplicity.

It's giving nothing away to tell you that the main character in Benediction, Dad Lewis, is dying; he receives the diagnosis on the book's very first page.  His reaction, and that of his wife and daughter, make up much of the book.  But their friends' lives, and the lives of those with whom they come in contact, also come into play here.  And just like anyone else, Dad Lewis has regrets, and that's a theme of the novel as well.

Benediction is an unsentimental, yet very moving, depiction of the end of a good man's life.  I'd rank it right up there with Plainsong as one of Haruf's best books.

Doodling - Jonathan Gould

This is another of the books that I won as a prize at the end of 2011, but didn't get around to reading 'til last year.

Neville Lansdowne is our hapless Everyman.  The modern world simply moves too fast for him, so he lets go and falls off.  Really.  He literally lets go, and falls off into space. Pretty soon, he finds himself adrift in an asteroid field.  When he spots an asteroid with a flag planted on it, he lands on it -- and that's when his adventure really begins.

This is a very much a novella -- just 68 pages on my Nook -- so it's a quick read, but but it's fun.  It's absurd in the same way that Alice in Wonderland is absurd, and it's a send-up of modern life in the same way as The Hitchhiker's Guide to the Galaxy.  I quite enjoyed Doodling -- it's a cute little book.

Upgrade - Stephen Hise

What's the one thing every guy wants?  To have beautiful women fall all over themselves to be with him, that's what.  And that's the subject of Stephen Hise's Upgrade.

Brent Schoenfeld is a brilliant businessman, extremely smart, and richer than Croesus, but he's a schlump -- an average-looking guy who no woman would look at twice if he wasn't sitting on a pile of cash.  Every day, Schoenfeld looks out the window of his office and drools over the women he sees on the sidewalk.  There's one woman in particular who takes his breath away every time he sees her.  But he knows she would have no reason to look twice at him, and the knowledge eats away at him.

Finally, he pays a doctor to perform an experimental procedure on his sex appeal.  It's hideously expensive, but he pays every penny.  And it works!  Suddenly women are falling all over him.  Instead of spending every night at the office, or watching TV at home, he's getting more action than he knows what to do with.  And he works hard to gain the notice of that hot woman he fell for while watching her from his office window.

From there, as you might expect, things get complicated in a hurry.  And the ending provides a nice twist that I didn't see coming.

There were a couple of spots when the point of view changed from third person limited (focused on Brent) to third person omniscient (what I like to call the "little did he know..." voice).  That took me out of the story a little.  But overall, Upgrade was great fun to read.

Blackbirch Woods - Meredith Anne DeVoe

Another genre I typically don't read is contemporary Christian (for somewhat obvious reasons).  But I picked up this one at the behest of the author, and I did find myself enjoying the story.

The main characters are Violet Aubrey, a young woman who lives in the present day, and Willis Wood, a man whose life began more than two hundred years before.  There's something spooky in the Blackbirch Woods, and it managed to trap Willis two centuries ago.  He can never die, but must only manifest during the hours of darkness.

Violet's family likes to camp in the Blackbirch Woods. The year that Violet is seven, she wanders away from her family's campsite in the dark; Willis finds her and takes her back.  They meet again several times over the course of her teenaged years, and he falls hard for her.  Then she goes off to college.  But instead of getting on with her life and forgetting Willis, she finds herself drawn back to the woods.  She knows now that she loves him.  The question is whether her love will be strong enough to bring him out of the darkness, once and for all.

The Christian theme wasn't too heavy-handed.  In my Smashwords review, I wrote, "The author has done a fine job at making the characters believable, and the creepy things are suitably creepy."  If you don't mind books with some God talk in them, give Blackbirch Woods a try.